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Political Weapons
C magazine review
Yuling Chen
April 24th 2026
Gabrielle Goliath’s personal accounts at MoMA ps1 have made headway in terms of presenting performance as portraiture. The exhibition shows people in various motions having stories. Its absence of speeches and intervals are interpreted with sighs, gestures and vocalization. The work criticizes Israel Palestine conflicts, Ukraine Russia wars and other various atrocities through its momentous performance of emotions on screens. It gives people a salient impression of the public grieving accidents, violence and oil spills all around the world including South Africa, Ukraine, china, and the rest of the world. It has made the audience become attentive to the performers’ various facial expressions. It is a potent political weapons. Etc.
