#arrrtttt #hoonngggkkoonngg #polliiiccee #pprrootteasstsss #doonnallddjjtrryuummpp #neewwyyoorrkkeerrr #nnyytt #evveryythinngg #?????? #evveryyybbooddyy #evverrywwhheerree #evveryysppaaccettiimmeecoonntiinuummm #llaunnchhppaddd #bippoooccc #arrttiicclllesss #articclliinngggg #design #crimessss #infinity #warssssssssssssssssssssssssss #newspapers #magazines #thenewyorker #scmp #art #donaldjtrump #police #protests #nyt #thenewyorker #everything #everybody #everywhere #everyspacetimedimensionscontinuumcontinuity #infinity #wars #bipoc 

???????

Artistic trauma

C magazine review

Yuling Chen

2026 April 30th

The mvs studio art exhibition in 2026 at the university of Toronto is a marvel at people’s expenses. The works consist of usual mixed up of videos, sculpture and installation. It takes people into the realm of Israel Palestine conflicts, Venezuela tankers and the wars all over the world. It transpires a message for peace in its image of toy collectors who mans their art through variegated objects collecting and image curating. It has a linger of memory on people’s works on the web and everywhere for their racist undertones whitewashed in identity politics. The inheritance forms a prolonged gestalt of types and typography as a mannerism made occurring every here and now. It is about fathers and self, about its lonesome pairing of parental relations in the upper echelon of society where people speak ill of each other. The lost items are signified in the exhibition with its amassed objects from trash, recycling or maybe garage sale. It has made people worry about their safety, being defaced and demonizing people who are poor and foreign. It is a traditional view of the world of which people find their souls yearning for a ethereal change. Etc.