The exhibitions on the first floor of ago reveal a much maligned aspect of Canadian visual culture. Many people believe they are entitled to transparent information. But they rarely claims any space necessary to make this belief system a truthful. The photography and painting suggest a culture easily slide into the abyss of mundane and normality. The normcore centred aesthetics revel in the lights and shadows of conceptual artwork. It has made clear of its stand supporting women’s freedom in the urban space and world. Etc.