The exhibition, Melissa Auf der Maur, my 90s rock photographs, at ago shows women at different stage of undress. The pyramid and television stacking on top each other showing glitchy videos tell the story of unsustainable rock stardom. It connects the artist to a string of luxury experience and products playing music, opening a concert and taking planes. However perfect it might be, the show refuses to say which side they are on when it comes to the protests. Etc.


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